Phillip Ens sang Jorg in Stiffelio and the Commendatore in Don Giovanni at the Metropolitan Opera, Fiesco in Simon Boccanegra and Ramfis in Aida for the Canadian Opera, the Commendatore at the Bavarian State Opera, Claggart in Billy Budd in Houston and at Glyndebourne, Arkel in Pelleas for the Vienna State Opera, Tiresias in Oedipus Rex for the Cologne WDR Radio, Fafner in Siegfried at Covent Garden and the Deutsche Oper, The Verdi Requiem for the Winnipeg Symphony and Sarastro in Manitoba. 2012 includes L'Orfeo and Claudius in Hamlet at Theatre an der Wien in Vienna, Rheingold and Siegfried in Munich, and The Inventor with the Vancouver Symphony .

Christa Mayer sang at the Bayreuth Festival the roles of Erda and Waltraute in The Ring in the summers of 2008-2010 conducted by Thieleman. She sang Braengaene in Tristan in Dresden and will sing it in Bayreuth in 2014. She sang Brigitta in Die Tote Stadt at La Fenice in Venice. At the Dresden State Opera she sings Geschwitz in Lulu, and sang Leda in Liebe der Danae, Maddalena in Der Meistersinger, Fenena in Nabucco, Begbick in Mahagonny, Henrietta in I Puritani, Quickly in Falstaff, Suzuki in Butterfly and Baba in Rake's Progress.

Lothar Odinius sang Tamino in Zauberfloete at Covent Garden after his debut there in Niobe. In the summer of 2011 he made his Bayreuth debut as Walther von der Vogelweide in Tannhaueser. He sang Arbace in Idomeneo at the Paris Opera, and the Fisherman in Stravinsky's Rossignol at the Canadian Opera. He has sung the St. Matthew Passion in Milan, The Creation conducted by Peter Schreier in Hamburg and Elijah with Thomas Quasthoff in Berlin. He sang the title role in La Clemenza di Tito in Cologne and Mannheim/Schwetzingen, Clemenza and Don Ottavio in Giovanni in Potsdam, Ferrando in Cosi Fan Tutte in Wiesbaden and Händel's Israel in Egypt in Amsterdam conducted by Emanuelle Haïm. Numerous concerts worldwide with Helmut Rilling include Mendelsohn's Elijah and Bach's B Minor Mass, St. John Passion and Haydn's Creation. Haydns L´isola Disabitata conducted by Adam Fischer in Budapest. Recording of Schubert's Schiller Lieder, Volumes 3 and 4 on the Naxos label. Don Quixote de la Mancha at Berlin's Komische Oper.

Barbara Hannigan sings Gepopo and Venus in Ligeti's Danse Maccabre at Barcelona's Liceu Theatre. She just toured throughout Europe with Pierre Boulez and his Ensemble Contemporain to sing his Pli Sans Pli. She sang the title role in Le Rossignol with the Berlin Philharmonic, the Paris premiere of Dutilleux's Correspondances conducted by Kurt Masur as well as at the Salzburg Festival with the Berlin Philharmonic with Simon Rattle conducting. She sang it at the London Proms, in Helsinki with Esa Pekka Salonen, in Miami and with the Toronto Symphony. She sang Stravinski's Les Noces with the Berlin Philharmonic under Simon Rattle, and Ligeti's Requiem with that orchestra as well. She played Saskia de Vries in Netherlands Opera's Writing To Vermeer at the New York's Lincoln Center, Brussels and London, and sang Ligeti's Mysteries of the Macabre with the New York Philharmonic and orchestra's in Toronto, Amsterdam, Cologne, Vienna, Utrecht and Gutersloh, Germany and with the Berlin Philharmonic. Despina with Edmonton Opera. Bitter Tears of Petra Van Kant at the English National Opera. Ligeti Requiem at the Salzburg Festival. Tour with the Schoenberg Ensemble to St. Petersburg and Moscow. Anne Truelove in Winterthur, Switzerland.

Ursula Hesse von den Steinen sang Orlovsky in Glyndebourne after singing it at the Vienna Staatsoper. She sang Orlovsky, 3rd Lady in Flute, starred in The Seven Deadly Sins and sang Margaret in Wozzeck at the Paris Opera, Eboli in Don Carlo in Cologne and Nurnberg, Beethoven's 9th conducted by Riccardo Chailly in Milan, the title roles in Carmen in Bonn, and Cenerentola and L'Italiana at the Dresden State Opera, Fricka in Rheingold in Karlsruhe, Elvira in Don Giovanni in Nuremberg, the gymnast in Lulu in Amsterdam, Clairon in Cappriccio in Brussels, Giulietta in Tales of Hoffman in Nantes, and the world premiere of Heliogabal at Gerard Mortier's Ruhrtriennale, Caligula in Cologne.

Christian Elsner sang the title role in Parsifal under Marek Janowski at the Berlin Philharmonie in 2011. He sang Siegmund in Die Walkuere at the Dresden State Opera, Darmstadt and Weimar. Future Wagner performances include Parsifal in Kassel, Siegmund with Simon Rattle in Berlin, and Rheingold with Janowski in Berlin. He sang Mendelssohn's Lobgesang with Riccardo Chailly at La Scala, Mozart's Requiem at Carnegie Hall (cond. by M.Jansons) and in Salzburg (cond. by M.Honeck), Beethoven's Missa Solemnis in Stockholm (cond. by C.M.Giulini) and Rotterdam (cond. by R.Norrington), Mendelssohn's Paulus in Vienna (cond. by F.Luisi) and Barcelona (cond. by J.Lopez-Coboz) and Beethoven's 9th Symphony in Leipzig (cond. by H.Blomstedt) and Berlin (cond. by M.Janowski). He recorded Mahler's Lied von der Erde, Beethoven's Missa Solemnis and 9th Symphony, Liszts Faust Symphony, Bruckner's Te Deum, Schubert's Winterreise and Schoene Muellerin, Schumann's Dichterliebe, Mahler's Lieder eines Fahrenden Gesellen and the title role in Mozart's Idomeneo.

Allyson McHardy sang Annio in La Clemenza di Tito at the Paris Opera. She has sung the title role in Cenerentola in Glyndebourne, Adalgisa in Norma in Warsaw and Jo in Little Women in Calgary. She sang the title role in L'Italiana in Algieri in Lille, France, Rosina in Barbiere and Olga in Eugene Onegin at the San Francisco Opera, Marquise Melibea in Viaggio a Reims at the New York City Opera, Dalilah in Samson and Dalilah at Opera Hamilton, Suzuki at Canadian Opera Company and Edmonton, covered Rosina, Hansel, Suzuki and Bradamante Alcina at San Francsico Opera, Meg Page in Falstaff and Concepcion in L'Heure Espagnole with Seiji Ozawa at Tanglewood, La Vida Breve with the Boston Symphony, Orlofsky with Merola. Zerlina and Hansel with Arizona Opera, Fenena in Nabucco with Vancouver Opera, Lola in Cavalleria in Edmonton and Malika in Lakme in Calgary.

Eva Kirchner sang Micaela in Carmen, Helena in Midsummer Nights Dream, Haydn's Creation conducted by Peter Schreier, Musetta in Boheme, Ilia in Clemenza di Tito, Nanetta in Falstaff, Pamina in Zauberflote, Susanna in Nozze, Marzelline in Fidelio, Echo in Ariadne, Servilia in Titus and Aennchen in Freischutz, all at the Dresden State Opera, Germany. Mimi in Boheme in Rostock.

Eugene Brancoveanu sang Yeletsky in Pique Dame in Israel. He sang Belcore at the San Francisco Opera, the role of Scapin in L'Ile de Merlin at the Spoleto Festival, Pandolphe in Massenet's Cendrillon at the New York City Opera, Escamillo in Carmen at the Walnut Creek Festival, covered Tomsky in Pique Dame in Tokyo, conducted by Seiji Ozawa, the Pilot in The Little Prince for the San Francisco Opera, conducted by Donald Runnicles and won a Tony Award for his Marcello in Baz Luhrman's Boheme on Broadway. Opera News said "Eugene Brancoveanu, a convincingly robust Marcello, was the strongest of the four principals." He received rave reviews for his Tarqinius in Rape of Lucretia for San Francisco Opera's Merola Program. For the San Francisco Opera mainstage he sang Morales in Carmen, Marullo in Rigoletto Fiorello in Barbiere, the 1st Prisoner in Fidelio, covered Tomsky in Pique Dame and Taddeo in L'Italiana in Algieri. With Michael Tilson Thomas he often sings and portrays Yiddish Theatre legend, Boris Thomashevsky with the San Francisco Symphony, the NY Philharmonic and other fine orchestras and sang the lead role in Shostakovich's Moscow Chereomuski in Stuttgart.

Steven Ebel made his Covent Garden debut as Victorin in Die Tote Stadt in January 2009. He was a Covent Garden Young Artist for the 2009-2011 seasons, and sang Jaquino in Fidelio, the Messenger in Aida, Heinrich in Tannhaueser, and Malcolm in Macbeth there. He will begin an engagement in Karlsruhe in the coming months. A composer as well, his chamber opera Mogens was premiered at Covent Garden's Exposure Series in April 2010. He sang Peter Quint in Turn of the Screw at the Castleton Festival in Virginia conducted by Lorin Maazel in summer '09. He was cast by James Levine as Jimmy Mahoney in Mahagonny at Tanglewood in the summer of '08 and toured with the same role in Italy in '09. He returned to Tanglewood in summer '09 to sing Eislinger in Meistersinger conducted by James Levine, and Tenor 1 in Stravinsky's Renard. A finalist in the Lotte Lenya Competition, Opera at Florham Competition and David Adam's Art Song Competition, he sang Tamino in Zauberfloete at the Cleveland Institute of Music in February '08. He won 3rd place from the Gerda Lissner Foundation, a three year Schuyler Foundation for Career Bridge Grants, 2nd Prize at the 2007 Concours Musical International de Montréal and was a semi-finalist at the Wigmore Hall Competition in London. He sang Peter Quint in Turn of the Screw at Opera Cleveland, the Postiglione in New York City Opera's Fanciulla del West and won 2nd Prize in both the 2005 Oratorio Society Competition in New York City and the Five Towns Competition. He won the Long Island Masterworks Paul Straney Scholarship Award Competition for 2006 and sang Fredric in Pirates of Penzance at Opera Delaware.

Rayanne Dupuis covers the lead in the world premiere of Mantovani's Akhmatova at the Paris Opera. She sang the British premiere of Rihm's Die Gehege with the BBC Symphony in London after her success in the same role last year in Basel (when it was call Drei Frauen). She sings and records it with Kent Nagano and the Deutsche Symphonie Orchester in Berlin and sang it with the Helsinki Philharmonic. She sings Sieglinde in a European tour of Dove Graham Vick's version of Wagner's Ring. In Basel she sang the title role in The Bitter Tears of Petra Van Kant. In the world premiere concert and recording of the opera in Dublin, London's newspaper, The Guardian, said "Rayanne Dupuis was magnificent in the title role. She sang a piece by Ginastera in the Musiktriennale in Cologne for the Westdeutschen Rundfunk, sang Lulu in Lulu and Blanche in Dialogues of the Carmelites at Metz, France and concerts with the Orchestre National des Pays de la Loire. She was a Met Auditions district winner for Toronto, and received a Canadian Council Grant. She sang Le Voix Humaine for L'Opera de Montpelier and Massy, Marguerite in Honnegger's Jean d'Arc au Bucher in Clermont-Ferrand, title role in the Canadian premiere of Jackie O at Banff, Canada and French premier at Metz, France. Giacinta in La Finta Semplice, Frau Fluth in Lustige Weiber, Die Soldaten and Miss Jessel in Turn of the Screw in Nantes. Lavinia in Mourning Becomes Electra and Erwartung in Seattle. Cherubino at Austin Lyric. Tatyana in Onegin in Scotland, 1st Lady in Edmonton.

Maria Soulis sang the title role of Carmen at the Longborough Festival in England and 3rd Lady in Zauberflote at the Chatelet in Paris. She toured Europe as Mdme. de la Haltiere in Cendrillon, and sang in La Gazzetta at the Rossini Festival in Bad Wildbad, Germany. She sang Adalgisa in Norma, Mrs. Grose in Turn of the Screw and Antonia's mother in Hoffman in Nantes, France. Niklausse in Hoffman and Neris in Medea in Metz, France. She won the Liederkranz Competition in NYC, the Jeunes Ambassadeurs Lyriques Competition in Montreal and received a Chalmers Grant and Canada Council grant. She sang Cherubino, Dorabella, Hansel, Orlofsky, Charlotte and the Composer in Regensburg, Germany, Rosina at Ireland's Wexford Festival and Dryade in Ariadne in Monaco in 2006.

Lucja Zarzycka sings Aida in Cottbus, Germany. She sang Abigaille in Nabucco and Aida in Aida in Warsaw, and the title role in Tosca in Cracow, Poland and Gera, Altenburg and Radebeul, Germany. She sang Leonore in Fidelio in Radebeul, Leonora in Forza in Cottbus and Frankfurt an der Oder, Abigaille in Nabucco in Braunschweig, Weimar and Gera, Germany and the Verdi Requiem in Hamburg and Zurich.

Andreas Macco sang the title role in Fliegende Hollaender in Dortmund and Kaiserslautern. He sang the title role in Boito's Mephistofele, Wotan in Rheingold and Shostakowitsch's 14th Symphony in Gelsenkirchen. He sang Fasolt in Das Rheingold in Essen and the Water Gnome in Rusalka at the Rome Opera. He sang his first Walkuere Wotan in Koblenz in 2009, the Gymnast in Lulu in Athens and Don Fernando in Fidelio in Naples. He sang the title role in Don Giovanni, Sarastro, Fiesco in Simon Boccanegra, the title role in Handel's Saul and the four villains in Hoffman in Bonn, Pogner in Meistersinger in Munster, Crespel in Hoffman at La Scala and Berlioz' Romeo and Juliet at the Leipzig Gewandhaus.

Anne Sommerfeld sings Rosalinde in Fledermaus Sieglinde, in Die Walkuere, Agathe in Freischutz, Fiordiligi in Cosi, Leonora in Trovatore Mimi in Boheme, Juliette in Romeo et Juliette, Freia in Das Rheingold, Laura in Bettelstudent Donna Anna in Giovanni, Pamina and 1st Lady in Flute and Hannah in Merry Widow in Cottbus, Germany. She was nominated for Opernwelt's Artistic Newcomer of 2006 Award. She also sang Rosalinda in Giessen.

Meik Schwalm sang Don Jose in Carmen at the Allee Theatre in Hamburg following his fach change to dramatic tenor. He sings now in Pariser Leben in Berlin. He sang Marcello in Boheme, Malatesta in Don Pasquale the Count in Nozze, Prospero in Der Sturm, Doristo in L'Arbore di Diana, Frederick in Lakme, Zemlinsky's Der Kreidekreis and Enesco's Oedipe at Bielfeld, Germany. He sang Hel Helson in Paul Bunyan at Bregenz Festival, summer 2007 and sang the title role in the world premier of Chief Joseph, Angelotti in Tosca, Montano in Otello and Morales in Carmen at the Berlin Staatsoper and Seven Attempted Escapes From Silence at the Berlin Staatsoper Magazine.

Holger Falk will sing the lead role in the premiere of Miroslav Srnka's Make No Noise at the Munich State Opera Summer Festival in 2011. He sang Rihm's Jakob Lenz in Warsaw after his success in Oresteia by Iannis Xenakis there. He has released CD's of Poulenc songs with texts by Apollinaire and songs by Josef Matthias Hauer. He sang Haydn's The Four Seasons with Christopher Hogwood, Danilo in Merry Widow and Sharpless in Butterfly in Pforzheim, Germany, Donizetti's Il Campanello in Limoges, France, Kaiser von Atlantis in Furth, Germany, the role of Moritz Stiefel in the world premiere of Bernoit Mernier's Fruehlings Erwachen at La Monnaie in Brussels and the title role in Monteverdi's Orfeo in Bangkok, Segovia, Spain and in Sarrebourg und Kloster Eberbach bei Frankfurt . He sang Eight Songs for a Mad King in Giessen and Jenseits der Schatten by Vladimir Tarnopolski in Bonn. At the Frankfurt Opera he sang the role of Death in Savitri by Gustav Holst and sang Jesus in the oratorio Golgatha by Frank Martin in Passau. Other engagemnts include Schattenspiele by Hans Gefors in Lubeck, Petrucci in Lucrezia Borgia in Gießen, the world premiere of Die Irre Oder Nächtlicher Fischfang by Jan Müller-Wieland, Tobias II in the world premiere of Kokain by Steffen Schleiermacher in Bonn, King Zephalus in Die drei Rätsel von Detlef Glanert, Figaro in Barbiere and Antonio in Viaggio a Reims at the Frankfurt Opera.

Douglas Williams was the bass soloist in L'Avisso al Terbo Giuno, Aeneas in Dido and Aeneas and Polyphemus in Acis and Galatea, all with the Boston Early Music Festival. About his performance in Acis and Galatea the New York Times raved "But the most powerful singer here was Douglas Williams, a bass-baritone with a superb sense of drama". He sings the role of Laurence in Gretry's Le Magnifique for Opera Lafayette and at the Kennedy Center, Plutone in Monteverdi's Ballo delle Ingrate with Seattle Baroque, Bach's B minor Mass at Southern Oregon University, Christmas Cantata's with the NY Clarion Society and the Saint John Passion with Les Talens Lyrique in Frankfurt, Germany. He'll sing the The Messiah with the Detroit Symphony in fall 2011.

Carter Scott covered the title role in Tosca and the Dyer's Wife in Die Frau Ohne Schatten at the Chicago Lyric Opera and sang Santuzza in Cavalleria At the San Diego Opera. She sang the 3rd Norn and covered Gutrune in Wagner's Ring Cycle at the Washington Opera in Fall 2009. She covered Lady Macbeth at the Washington Opera after her critical success in the same role at Opera Roanoke and The Immolation Scene in Knoxville. She sang Abigaille in Nabucco in Dortmund, Germany. Lady Macbeth, Aida, and Donna Anna in Syracuse and Tosca in Fort Worth.

Thomas Laske sings Marcello in Boheme in Cologne and Wuppertal and Escamillo in Carmen in Cologne. He sings concerts in fine venues throughout Europe including Bach Cantatas with Ton Koopman. He'll sing Danilo in Merry Widow in Solingen in 2011.

Izabela Matula sang Liu in Turandot in Saarbrucken and won 3rd Prize in the Wilhem Stenhammar Competition in Sweden .

Alexander Lewis is in the Lindemann Young Artist Program at the Metropolitan Opera after singing Nemorino in L'Elisir d'Amore in San Francisco Opera's Merola Program.

Jean Stilwell sang Berio's Folk Songs with the Houston Symphony. She played Madame D'Urfe in Minnesota Opera's Casanova's Homecoming, sang in the world premiere of Transit of Venus with the Manitoba Opera and performs her critically acclaimed cabaret Carmen Unzipped throughout Canada. She sang in War and Peace at the Candian Opera Company and in Eric Idle's Not The Messiah with the Toronto Symphony and at the Caramoor Festival in New York.

Christian Von Oldenburg sings in Calandro in the Potsdam/Sans Souci Music Festival after singing the baritone solos in Haydn's Creation at the Berliner Dom. He sang the title role in Judith Weir's Blond Eckbert sponsored by the Hamburg State Opera and Germont in Traviata at the Choriner Klosterfestspielen. He was in a production of the Staatsoper Hamburg und Theater Lüneburg singing Hans Scholl in Die Weisse Rose by Udo Zimmermann and sing a chamber version of Beethoven's 9th Symphony at the Berliner Philharmonie, Berlin Konzerthaus und the Leipzig Gewandhaus.

Nadine Lehner sings Pamina in Zauberfloete and the Governess in Turn of the Screw in Bremen, Germany, toured China with the Four Last Songs of Strauss and sings Micaela in Carmen in Antwerp .

Ralf Simon sings Tamino in Zauberflote, Cervantes in Das Spitzentuch der Konigin, Alfred in Fledermaus, and Candide in Candide at the Dresden Staatsoperette. He sang in Il Ritorno d'Ulisse In Patria in Frankfurt, Grimaldo in Rodelinda in Darmstadt, Grande Duchesse de Gerolstein in Nuremberg and Nemorino in L'Elisir d'Amore at Opera Faber in Portugal.

Gerald Hupach sings Monostatos in The Magic Flute, Malcolm in Macbeth, Scaramuccio in Ariadne auf Naxos, the Herald in Don Carlo, the fourth Jew in Salome, Pang in Turandot, Jack in Mahagonny, Basilio in Nozze, a boy in Frau Ohne Schatten, Eisslinger in Meistersinger, an Edler in Lohengrin and the tenor solos in Haydn's Schoepfung at the Dresden State Opera.

Hanna Dora Sturladottir sings in Pariser Leben in Berlin after singing the lead in The Seven Deadly Sins and in Closer Than Ever in Gelsenkirchen. She sang Miss Donnithorne´s Maggot for the Berlin Staatsoper, the title role in Ariadne auf Naxos in Iceland, Seven Attepted Escapes From Silence at the Berlin Staatsoper Magazine, 1st Lady in Magdeburg and Kassel, Germany and Miss Jessel in Turn of the Screw in Iceland.

Daniel Pohnert sings the title role in Der Vampyr and sang Zuniga and Morales in the Hamburg Allee Theater's production of Carmen .

Jake Armstrong will be a resident artist at Saratoga Opera and Wolftrap Opera in 2011.

Dagmar Hesse sings Amalia in Ballo in Maschera and the title role in Turandot in Hagen, Germany where she has also sung Mrs. Maurrant in Street Scene, Giorgetta in Il Tabarro, Madama Butterfly, Elsa in Lohengrin, Tatyana in Eugene Onegin, Fiordiligi in Cosi, Donna Elvira in Don Giovanni, and the Marschallin in Rosenkavalier.

Birger Radde sings concerts throughout Europe, Harlequin in Ariadne auf Naxos in Winterthur, Switzerland and sings in Orff's Die Kluge at the Orff Festspiele in Munich.

Elisa Doughty sings Zerlina in Don Giovanni throughout France. She made her Parisian debut as Pamina in The Magic Flute with Olivier Holt at the Cirque National Alexis Gruss. She has performed Mozart's Bastien and Bastienne (Bastienne), Offenbach?s La Vie Parisienne (Pauline), Cupidon in Orphée aux Enfers, and The Magic Flute (First Lady) with the Orchestre National d'Ile de France and Carmen (Frasquita) at the Stade de France with the Orchestre Philharmonique de Radio France. She won first prize in operetta in both the Concours International de Chant de Marmande and the Concours International d'Opérettes de Marseille, sang Adele in Die Fledermaus in Boulogne-sur-Mer, Offenbach's Pomme d'Api, Monsieur Choufleuri at the Théâtre de Pau, a premiere and tour of the opera Jerusalem Follies by Edouard Lacamp in the Middle East, concerts in France and Germany with the Baroque ensemble Précipitations, and Orphée aux Enfers in Chateauroux. Opera de Rennes is Omphale in Les Travaux d'Hercule.

Juanita Lascarro sang Violetta in Traviata and Corinna in Viaggio a Reims in Frankfurt.

Monika Staszak sings Valencienne in Merry Widow, Gretel, Sandman and Dew Fairy in Hansel And Gretel, the title role in Evita and Jane in Witches of Eastwick in Regensburg, Germany.

Luca Martin sings Sergei in Lady Macbeth of Mtsensk in Kassel, Germany. He sang Don Jose in Carmen in Ruti and Le Chaux de Fonds, Switzerland, Lucio Silla in Bielefeld, and the Verdi Requiem, the Messiah and the Four Seasons throughout Germany.

Keith Boldt is in the ensemble of the Oper Leipzig. Roles there in 2011-12 include Jack O'Brien in Aufstieg und Fall der Stadt Mahagonny, Ulrich Eisslinger in Die Meistersinger von Nürnberg, Erster Gralsritter in Parsifal, tenor soloist in Orff's Catulli Carmina for the Ballet as well as roles in La Boheme, Das schlaue Füchslein, Der Rosenkavalier and Die Zauberflöte. In Augsburg he sings Der Maler/Ein Neger in Lulu. He sang and recorded the lead in Braunfels'Ulenspiegel in Gera and Altenburg, Germany.

Mojca Vedernjak sings Marcellina in Nozze di Figaro in Augsburg and concerts and song recitals throughout Europe.

Martin Weidmann sings Herr Reich in Lustigen Weiber von Windsor in Bern, Switzerland.

Monika Eder is the soprano soloist for the St. John Passion in June 2013 with the Münchner Philharmonikern conducted by Ton Koopman.

Christa Fleischmann sings Adele in Fledermaus and Lisa in Countess Maritza in Rheinfelden, Biel, Solothurn and Winterthur, Switzerland.

Erik Foerster sings in Die Dreigroschenoper, Walton in I Puritani and Lord Syndham in Zar und Zimmerman in Biel, Switzerland.

Anne Harley sings the role of Margaret Mead in Evan Zyporin's A House In Bali in Boston and at the Brooklyn Academy of Music's Next Wave Festival.

Alexey Kosarev sang the title role in Tales of Hoffman in Flensburg, Germany. In 2008-9 he sings Alfredo, Werther, Pinkerton and Alexei in Lady Macbeth of Mtsensk in Oldenburg, Germany.

Harriett Marshall is a Young Artist for Western Australian Opera in 2011.

Carola Glaser sang in Rienzi at the Leipzig Opera.

Vladimir Maric sings the tenor solos in Handel's Chandos Anthem's at the Cologne Philharmonic.

Anna Ryberg was Adina in L'Elisir d'Amore for Opera North in England. She sang Zerlina in Don Giovanni, Susanna in Nozze, Contessa di Folleville in Viaggio a Reims, Jano in Jenufa, Oskar in Ballo in Maschera, Sophie in Werther and in Aggripina in Frankfurt, Germany.

Eric Rieger sang the title role in Rameau's Dardanus, the four character roles in Hoffman, Mottel in Fiddler and Jan in Der Bettelstudent in Trier, Germany.

Christin Mollnar sang Mimi in La Boheme and Annio in La Clemenza di Tito in Bielefeld, Germany.

Dshamilja Kaiser sang Sesto in La Clemenza di Tito in Bielefeld, Germany.

Lucy Taylor sang in Handel's Belshazzar with Rene Jacobs in Berlin, Aix and Innsbruck.

Diane Schoff sang Orlovsky in Fledermaus for the Merola Program. She won the district level of the Metropolitan Opera Competition two years in a row and was a national semi-finalist in 2003.

Rebecca Hass will sing Mary in Dutchman in Victoria, Canada and Beethovens 9th and La Fille du Regiment with Manitoba Opera. She sang Azucena in Trovatore at the Astoria Music Festival in Oregon, the Baroness in Vanessa and the Verdi Requiem in Victoria, Berta in Barbiere in Ottowa, Katisha in Mikado in Edmonton and Marcellina in Nozze di Figaro in Vancouver. Also, Messiah and Verdi Requiem with the Hamilton Philharmonic.

Guy Booth toured Australia and Germany as Papageno in Magic Flute with Opera Queensland. He was in the semi-finals of the German Australian Opera grant competition, and won the South East Queensland Aria and Concerto competition in Australia. He will be a soloist with the Queensland Philharmonic Orchestra next year and has been a Developing Artist Programe at Opera Queensland since March 2008

Matthew Morris sang Apollo in Gluck's Alceste and covers a role in the world premiere of Paul Moravec's The Letter at Santa Fe Opera in summer 2009.

Giles Davies recorded Schumann?s Dichterliebe at the Wigmore Hall for the BBC. He has appeared with conductors including Richard Hickox (A Sea Symphony/Dido and Aeneas) Philip Pickett (Monteverdi?s Vespers) Trevor Pinnock (Handel?s Apollo and Dafne); Mahler?s Kindertotenlieder (Ballet Rambert) and London Mozart Players. His operatic roles have included Figaro in Barber of Seville, Dr Kolenaty in Janàcek?s Makropoulos Case and Schaunard in Boheme for Scottish Opera. He sang the Church Parables of Britten for Opera du Rhin, Strasbourg, and Pish Tush in Mikado and Strephon in Iolanthe for the Carl Rosa Opera. In 2004 he received critical acclaim for creating the title role in The Piano Tuner, for Music Theatre Wales. Engagements for 2005 include Papageno in Magic Flute in the West End of London, (Epoc) and Love's Labyrinth for Opera Restor'd at the Wigmore Hall. In 2006 Giles will appear as John Goss, in Anthony Britten?s new film on the life of English songwriter Peter Warlock.

Sybille Keller sang Jemmy in Guillaume Tell, Valencienne in Merry Widow, Marzelline in Fidelio and Gianetta in L'Elisir d'Amore in Meiningen, Germany and was in the chorus of the Bayreuth Festival in 2008.

Andrea Rieche sings Mary in Fliegende Hollaender and sang Dame Quickly in Falstaff and the mother in Hansel and Gretel in Dortmund, Germany.

Maria Milolidaki sang the Queen of the Night in Zauberfloete and the title role of The Merry Widow in Athens.

Christine Groeneveld sang Ludmila in The Bartered Bride in Dortmund, Germany. She sings Santuzza in Cavalleria Rusticana and sang the title role in Turandot for the Dorset Opera in England.

David Okerlund sang the title role in Don Giovanni for San Francisco Opera. The San Francisco Chronicle said "baritone David Okerlund, also rose to new heights on Saturday night, singing the painter Marcello with unprecedented power and tonal warmth" after his Boheme at the SFO. Also at SFO-Stanley in Streetcar Named Desire (at San Diego and Strasbourg, also), Sharpless and Peter in Hansel and Gretel. Marcello with Pittsburg Opera. Germont at Vancouver and Connecticut, Sharpless at Hawaii, Figaro in Nozze in Tulsa, Yeletsky in Pique Dame in Grand Rapids, Jokanaan in Elektra in Hawaii.

Elizabeth King is in the chorus of Oper Dortmund, Germany.

Pascale Schultze sang Servilia in Clemenza di Tito, Papagena and Naiad in Ariadne auf Naxos at the Dresden State Opera.

Ausrine Stundyte sang Nedda, Adina and Blanche in Carmelites and Ilia in Idomeneo in Cologne. For 2005- Micaela, Eurydice in Orpheus in the Underworld and Woglinde and Gerhilde in Cologne's Ring Cycle. Violetta and Adina in Wernigerode, Tebaldo in Don Carlo in Leipzig, Michaela in Carmen in Vilnius, Lithuania.

Lisa Tjalve won the First Renate Holm Operetta Prize and the Emmerich Kalman Operetta Prize at the International Operetta Competition at the Elblandfestspielen at Wittenberg, Germany. She sang in Pinnochio at Berlin's Komische Oper and performed the role of Calisto in Händels Giove in Argo at the Markgräfische Oper in Bayreuth. She's a semi-finalist in the Strasbourg Festival International Opera Competition

Andrew Young sings Kuno in Der Freischutz, Bogomil in Bettelstudent and Lodovico in Otello in Radebeul, Germany.

Rachel Rose Farber was a grand finalist in the International Grand Concours de Chant.

Susan Miller covered the Widow and Valencienne in the Opera Comique's production of Merry Widow in Paris.

Jeffrey Black sang Danilo in the Welsh National Opera's Merry Widow.

Julianne Borg covered Micaela in Carmen at the New York City Opera. She also covered the title role in Patience and sang Ygraine in Ariane et Barbe Bleu there. Flaminia in Haydn's Il Mondo della Luna at the Opera de Nice, France.

Mike McGowan played Danilo in Di Capo Opera's Merry Widow.

Eike Riga sang Rosemarie in Herzogin von Chicago in Bonn, Madrigal Comedy touring Germany and Blume von Hawaii at the Berlin Stadtsoper.

Heiko Boerner sang the Duke, Rodolfo, Faust, Symon in Bettelstudent and Belmonte in Wurzburg, Germany.

Waltraud Mucher sings Begbick in Mahagonny in Dessau in 2006. She sang Flosshilde in Rheingold and the Hexe in Humperdinck's Konigskinder at Cottbus, Germany.

Shirley Kean sang Fortuna and Valetto in The Coronation of Poppea with Opera Theatre Company in Belfast, Galway, Derry and Dublin, Ireland.

Janna Baty sang Despina and Berta (Barbiere) with Boston Lyric Opera, Powder On Her Face at the Hamburg State Opera and the Mother in Amahl with the Tallahassee Symphony.

Kirsten Borchard sings in Der Spiegel des Gruen Kaisers in Muenster, Germany.

Paul Kirby sang in Postcards From Morocco in Colmar. Peter Quint and Prologue in Turn of the Screw and Mozart Requiem in Metz, France.

Katryn Strocka sang Blondchen, Susanna, Anne (Nabucco) and Lauretta in Gera, Germany.

Mark Coles sang Sarastro for Opera North in Leeds, England. The Guardian wrote "Mark Coles has the magnificent, honeyed tones of an evangelical preacher".

Of Jim Ruff's performance in Scarlatti's Giuditta, the Chicago Sun Times said "Ruff's tenor, pleasing and secure across a wide range, made a splendid showpiece of 'Mi combatti', every ornament in place". Daniel in Play of Daniel at the Spoleto Festival, Mozart Requiem in Boston

Fides Krucker starred as The Girl With No Door On Her Mouth in Toronto.

Roberta Cunningham sang Saffi in Zigeunerbaron in Muenster, Rosalinda in Fledermaus in Luzerne, Landshut and Giessen, Nedda in Pagliacci at Osnabruck, Pamina in Zauberflote at Hildesheim, Germany and Mimi in Boheme in Cairo.

Susan Hellauer and Jacqueline Horner tour internationally with their a cappella female quartet, Anonymous 4. Their many recordings with Harmonia Mundi have been on the top of the classical charts and sold over 1 million copies.

Hilary Fisher sang Mrs. Peachum in The Beggars Opera with Central Festival Opera in London. Alto soloist in B Minor Mass and Petite Messe Sollenelle among many other oratorios.

Andrew Mayor sang in Midsummer's Night Dream at Covent Garden. He toured as Danilo in The Merry Widow, and with Opera Italiano di Milano as Sharpless. Covered Amonasro at the Scottish Opera. Soloist in Beethoven's Choral Fantasy with the Berlin Philharmonic at Salzburg's Easter Festival conducted by Claudio Abbado.

Karen Baumgartel sang Valencienne (Merry Widow), Oskar (Ballo), Despina, Laura (Bettelstudent) and Naiad (Ariadne) in Hildesheim, Germany.

Heidi Klann won a grant from Anne Burrows foundation for Young Musicians.

Sung Chung was a finalist in the Jeune Ambassador Competition in Montreal and sang in La Straniera in Toronto's Opera in Concert.

Antoine Godor sang the Sacristan in Tosca in Neustrelitz and Basilio in Barbiere in Weimar.

Tina Hackeloer was 3rd Lady, Michael Scheel was Tamino and Thomas Guenzler was Papageno in Dortmund's Zauberflote for children.

Alexander Nikolic was Apollo in Haydn's Philemon et Baucis at Berlin's Stadtsoper, and sang the tenor lead of Halevy's Der Blitz and Marcello in Leoncavallo's La Boheme in Hamburg.

Max Wagner sings Cecco in Haydn's Il Mondon della Luna in Munich.

Diane Schmid won the Gottlob-Frick Competition in Germany, and sang Lisetta in Haydn's Il Mondo Della Luna at the Wiesbaden Opera Studio.

Darynn Zimmer debuts at Carnegie Hall singing the soprano solos of Haydn's Theresienmesse and Mozart's Mass in C Minor.

Arnd Gothe sang Zaccaria in Nabucco, Don Alfonso in Cosi and Don Quixote in Man of La Mancha in Hagen, Germany.

Soja Smoljaninova sang Amalia in Ballo and Giorgetta in Tabarro at the Semper Oper (Dresden).

Susan Russell sang Susa's Transformations at the Cleveland Opera. Opera News said "Susan Russell, whose soprano is cutting and flexible, had a triumph in the taxing role of Sexton."